Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

10 January 2013

Market failure, creativity, and online gouging


Cory Doctorow has written an article in the Guardian entitled "Just because everything has value doesn't mean it has a price". Cory Doctorow: Charging for everything kills creativity About the implications of charging for every little bit of imagined use that can be extracted from an online offering. It's part of a series called "Digital rights, digital wrongs". It's interesting because of its focus on something that capitalism just can't handle, namely "externalities". Better otherwise known as "market failure". His line is that charging for everything will kill creativity.

I commented:
We're back with the problems Marx faced trying to work out the relationship between social production and private appropriation, value, price and profit, and the inadequacies of Adam Smith and Ricardo's attempts to resolve them.
Nothing of value is produced without our labour. So it's natural to expect an equivalent return for it. The problem is a) what is a true equivalent, and b) who will determine this and implement it in society.
Marx resolved the problem of "true equivalence", so problem a) is taken care of. But problem b) is in complete contradiction to the findings of a), since the people determining and implementing equivalence exploit most of us (wage-earners) by creaming off what we produce above and beyond survival (keeping body and soul together at the normal standard of living for our society) and making it their private wealth instead of our shared social wealth.
Cory D ignores this, and ends up arguing for Utopia, since he implies there's a way of accommodating a) with b). This is nonsense, cos ownership is all in our society, and ownership of capital (control of other people's work) is a class monopoly.
This is a pity, cos the main thrust of his argument goes some way along the constructive realistic road discussed seminally by Walter Benjamin in The Work of Art in the Age of Mechanical Reproductionhttp://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm
The thing is that the whole of capitalist production today is a market failure. In other words the traditional (or post-traditional, imperialist) market is a useless mechanism for coordinating and eliciting socially useful effort. Market techniques can be very useful in some kinds of distribution, in that they provide spontaneous feedback and self-organization, but they're no good when it comes to deciding social priorities at the limits of resource availability, and they're disastrous in relation to the inevitable necessity of disaster management.
Production and distribution today is a huge social problem worldwide, and some of its most glaring effects are in the realm of ideas and culture. But the solution isn't going to come from economic measures but from political measures that affect the economic foundations of our society.
Till we introduce socialism (non-capitalist ownership and control of production) there will be no solution and Cory will have to keep repeating himself and running on the spot (not to mention the idiots who claim that locking everything down and charging us for the air we breathe is the right way to go).

18 February 2010

Central planning, socialization...

This is my response to a tech magazine piece on Google's plans for developing ultra-fast broadband access in the US.

http://www.eweek.com/c/a/Search-Engines/Google-Broadband-Play-Pushes-Network-Neutrality-in-Googles-Favor-681320/?kc=EWKNLGOV02172010STR1


Well, if ordinary capitalism (Verizon etc) is unable and unwilling to unleash the full potential of high speed broadband access for a nation and its citizens, then socializing, centrally planned, innovational and let's do it ubercapitalism will. Google is showing not just the potential of high-speed universal access broadband provision, but also the huge and incontrovertible superiority of blatantly creative and socially oriented large-scale operations.

Their recipe for satisfying humanity's thirst for knowledge, ideas and culture is to make these things instantly available to everyone. Revolutionary, ANTI- monopolistic, and absolutely necessary.

When it comes to collective social progress and responsiblity, Google puts even the cutting-edge innovative excellence of Apple into the shade. Apple is a one-man show, and giving society what it needs is not where it's at. It releases its products in tightly controlled pellets, so to speak. Compared to Google Apple is constipated and Steve Jobs screams when he shits.

So Google isn't perfect. Who is? But it's decades ahead of the zombie capitalism suffocating the US and the rest of the world today.

10 April 2007

Copyright, copywrong, humanity and piracy

Techdirt: It's Not China's Poor Copyright Laws That Fuel Piracy There

Contributed by Carlo

Tuesday, April 10th, 2007 @ 3:02AM Permalink to this story.

It's Not China's Poor Copyright Laws That Fuel Piracy There

from the untapped-demand dept

In one of its roles as proxy for Hollywood movie studios and record labels, the US government continually complains to China that it's not doing enough to stop piracy, and threatens it with the big stick of sanctions or other actions through the World Trade Organization. While these threats are usually just hot air, the US has now formally complained to the WTO, saying that Chinese laws don't live up to WTO commitments in the area of copyright protection and enforcement. But there's a second element to the complaint, which takes issue with China's heavy restrictions on the distribution of foreign content, including DVDs, CDs, books and other products. Where things get a little bit more interesting is that the original article in the Wall Street Journal, and indeed, movie studios and record labels themselves, gloss over the second part of the complaint -- when it illustrates beautifully how backwards big content thinks.

A graph in the article says that China and France are the two nations where the movie industry suffers its biggest losses due to piracy. While the dollar amounts cited are pretty certainly bogus, is it any coincidence that the movie industry sees those two countries as the biggest for piracy when they both feature some of the tightest restrictions on the distribution of foreign content? France is pretty famous for its efforts to keep American content out of its media market, while the Chinese government allows just 20 foreign films to be shown in the country's cinemas each year. It would be reasonable to deduce that it's a lack of legitimately available, attractive products that's driving the demand for pirated goods in these countries, rather than weak enforcement of copyrights. This mimics what goes on in other markets: the content industry fails to provide consumers with attractive products to purchase -- though it's generally because of poor strategy rather than government interference -- so they turn to pirated goods instead. The market for legitimate movie downloads probably provides the best illustration of this scenario. The products offered by legitimate, studio-backed sites are so heavily restricted and overpriced that nobody wants to buy them. The idea that content providers like movie studios don't understand this is reflected in the fact that they aren't pushing the government to attack China's 20-film limit, they just want to make its copyright laws more strict. It's just another indication of how the industry won't compete with free, while it protests that it simply can't. The failure in the market isn't a failure of the government to sufficiently protect copyright holders; it's a failure of those copyright holders to provide products and services that are attractive to consumers.

Reader Comments

  1. A contradiction. by Terri on Apr 10th, 2007 @ 4:33am

    This makes no sense. If the copyright holders provide no content that users want, then why do the pirates sell so many bootleg copies of that self-same content?

  2. Re: A contradiction. by MadJo on Apr 10th, 2007 @ 4:39am

    my first thought would be price. These bootlegged/"pirated" material is much friendlier priced than the original stuff.
    In a way consumers are already voting with their wallets. ;)

  3. THis is dumb by Cleveland on Apr 10th, 2007 @ 4:43am

    This has got to be the worst written article ever!!
    I do agree that the gov't may be keep the film industry down on these countries. Therefore making their citizens turn to bootlegs, but that still is not an vaild reason to steal.

  4. Re: A contradiction. by Anonymous Coward on Apr 10th, 2007 @ 4:51am

    The copyright holder want to provide the content. As it said in the story China and France drastically restrict the amount of content allowed. The demand is there and the supply isnt. Thats what is driving the piracy.

  5. by [caiocesar] on Apr 10th, 2007 @ 4:53am

    I think this is not all true. Se the case of Brazil. It's a wide-open country, specially for foreign content. Even though it has a huge amount of pirated material being bought and sold on the streets of nearly every city.
    The real cause might be the high prices that the so called legal content arrives to stores' shelves...

  6. It's True by ImaniOU on Apr 10th, 2007 @ 4:53am

    As an American who has been living in Taiwan for almost six years now, I can choose to either miss out on really good movies and television programs because although there are some foreign films and TV shows here, the only ones picked up are the ones that are extremely popular or do not rely on understanding the language. If it involves fart jokes, then it makes it. If it involves a lot of dialogue, then the companies here don't want to be bothered translating it so they just don't carry it. The law enforces everything has to be subtitled in Chinese, even Chinese-language media because of the different dialects all over the island. If it weren't for pirated movies and TV shows, I would be missing over half a decade of American pop culture. The quality of programming here sucks and anyone who wants more from entertainment than caricatures and bathroom humor is forced to seek out alternative means for getting it.

  7. Yeah by Wolfger on Apr 10th, 2007 @ 4:57am

    That about sums it up. Most people are honest, and would rather pay to get something legitimate. Piracy stems from two sources: unavailability and unaffordability.


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Choppam responds:

Good article. The US govt is very self-serving in its trade policies, hates international agreements that thwart its greed and selfishness, and censors officials and scholars and scientists who disagree with it whenever it can. And it shills for the corporations like Big Oil, Big Pharma, Big Money and Big ShowBiz. So it tries to put a lid on the reproduction and spread of useful ideas and creative art for the benefit of useless fat cats and uncreative boneheads.

Most people don't realize that the ability to easily and rapidly reproduce ideas and art (eg books, articles, music, shows, movies, prints, photos) is heralding an explosion in interaction and creative development among ALL human beings - that's the whole of humanity, every one of us. Regardless of borders, bureaucrats or bombs.

The reason why the corporations can't compete is that almost everybody hates them, and most people can't afford what they demand. So as soon as the useful and creative things they've stolen from humanity slip through the prison bars they try and put around them, then they find their way home - to humanity.

The oligarchy (rule by the few) and plutocracy (power of the rich) that is fomenting war and destruction today wants to corner every market it can smell out in order to charge exorbitant prices for necessary products. This system wants everybody to act like ignorant selfish money-worshipping brutes like themselves. Fortunately for us (humanity) most people puke at this idea and do what they can to stay human and share their joys and thoughts with each other. You can't make lives and ideas into private property.

Artists and scientists etc need to live. Most people that make up society realize this better than the fat cats and their governments. So let society organize a fair way to do this without the insanity of present-day copyright and patent litigation.

If big stealing (say the looting of Iraq's oil, or the slave contracts big recording companies force on most musicians, or the destruction of our air and water) is sanctioned by law and government, while small stealing is stigmatized and smeared, then the system needs to be turned on its head.

Meanwhile people will do what they have to do to feel themselves as a real part of humanity, with access to the latest and greatest productions of their fellow human beings.